Van Asch, Elsie
Varnham, Milton Rhodes
Webbe, William Henry
Webley, William, William Usher and Thomas Usher
Webley & Sons/Webley, Sons & Gofton
West, George Richard
West, William Hautrie
Woods, Hampton see Tidman, Harold Woods
Woods, John Joseph
Zettwitz, William Frederick
Organist, choirmaster, conductor
Born: 1862, England
Died: 1932, Dunedin
Active in New Zealand: 1887-1932
The reasons for Vallis’ migration is not known but on his arrival he took the position of organist and choirmaster at the Congregational Church in Dunedin. From there he moved to St Matthew’s Church and finally to his most important position at St Joseph’s Catholic Cathedral. He was also the official pianist and organist to the New Zealand and South Seas Exhibition, held in Dunedin from 1889 to 1890, a successful music teacher, musical director of the St Cecilia Society and foundation member of the Otago Society of Organists.
He composed a number of works, both for services and also for secular performances.
Sacred Heart Benediction service (Dunedin: St Joseph’s Cathedral. 1893)
St Joseph’s Vesperal. (Dunedin: St Joseph’s Cathedral, 1894)
Missa pro defunctis, for Bishop Moran (Dunedin: St Joseph’s Cathedral, 1895)
Mother England. (Otago Daily Times, June 30, 1898)
Most sacred heart (Dunedin: St Joseph’s Cathedral, 1905?)
Murray, D. Albert Vallis, 1862-1932. (Cemeteries database)
Van Asch, Elsie
Born: 1872, Christchurch
The duaghter of pioneer educator for the deaf, Gerrit Van Asch, Elsie was educated at Christchurch Girls High School and lived for much of her life in Sumner. She was an active sportswoman and composed a small number of pieces, two of which were published locally. She later married J. Edward Stevens, a teacher at the school for the deaf.
Belvedere march. (Ashburton: Owen, 1903)
Clio waltz. (Ashburton: Owen, 1907)
The Dream song. (Unpublished, 19–?)
Vannini, Antonio Damiano
Music teacher, dancing teacher, composer
Active in New Zealand: 1878 – 1925
Of Swiss Italian heritage Vannini had studied music in London and Paris. After a period living in Mosgiel on his arrival in New Zealand, Vannini relocated to Blenheim where he remained for the rest of his life. One of his pieces, the Picton Schottisch, has remained in the Scottish Country Dancing repertoire.
True love. (Dunedin: ?, 1885)
Lyttleton galop. (1885)
Hortensia Hoortefooselum (Unpublished comic opera staged in Mosgiel, 1888)
Il Gottardo valse (London: Chappell, 1883, and, Dunedin: Dresden, 1889)
Picton schottisch. (London: Chappell, 1883, and, Dunedin: Dresden, 1889)
Wild girl mazurka. (London: Chappell, 1883, and, Dunedin: Dresden, 1889)
Blenheim waltz. (London: Davison, 1894)
Sunnybourne waltz. (London: Davison, 1894)
Petite serenade. (Chicago: Summy, 1902)
The Niagra waltz. (Unpublished, 1906)
Poor lonely heart. (Boston: Boston Music Co., 1908)
Quartley’s 1st musical album. (Blenheim: Quartley, 1913) – contains several pieces by Vannini.
Varnham, Milton Rhodes
Architect, musician, band leader, music retailer, composer
Born: 1860, Wellington
Milton Varnham trained as an architect in Wellington and then moved to the Wairarapa. In 1891 he opened a music warehouse in Greytown and acted as an agent for George Reichardt. He also taught the violin, clarinet, cornet and double bass. He was bandmaster of the Greytown Brass Band, choir master of the Church of England choir and conductor of the operatic society.
Merry dancers’ mazurka. (Wellington: 1893)
Arbor day cantata. (Unpublished)
Cyclopedia of New Zealand, Taranaki, Hawkes Bay and Wellington Provincial Districts, p. 736 (photo credit)
Publisher, music retailer
Born: 1832, United Kingdom
Died: 1882, 22 August, Adelaide, Australia
Active in New Zealand: 1858-1868
Arriving on the ‘Mariner’ in 1858, Varty set up his own bookselling and general goods business in the Canada Building, Queen St, Auckland in 1860. He soon expanded his business to include lithographic and letterpress printing. In 1862 he published and sold the earliest known music notation publications in New Zealand. These were two pieces by a bandmaster of the British Regiments in Auckland, Louis Werner’s Southern Beauties Schottische and Fairy Bells Polka Mazurka. Over the next few years these were followed by Bergmann’s Waikato Waltz, and Neuzerling’s Light Brigade Polka.
Varty’s business failed after his arrest for bankruptcy. His presses were sold and after his release he found employment working for the government service. In 1868 he left New Zealand and settled in Adelaide, South Australia where he does not appear to have had any involvement with music printing or publishing.
Nichol, E. “Bookseller, circulating library owner, printer, publisher, agent, raconteur, freemason, volunteer soldier and cricket enthusiast—John Varty’s Auckland career, 1858–1868.” Script & Print: Bulletin of the Bibliographical Society of Australia and New Zealand, (2014), 38 (4), pp. 212-228.
Organist, music teacher, composer, music adjudicator
Born: 1864, Akaroa
Died: 1941, Wellington
Laurence Watkins, along with Alice Rowley were the first students to graduate (in 1900) with a Bachelor of Music from the University of New Zealand (Canterbury University College). Organist at St John’s, Latimer Square and assistant organist at Christchurch Cathedral. Appointed as organist to St Mark’s Wellington in 1896, he remained there until 1939. His compositions included service pieces, works for organ and a number of songs. He was also conductor of the Liederkranz and numerous other groups. He was also a member of the Wellington Society of Profesional Musicians, acting as Vice-President and President.
Story of the cross. (Unpubished)
For this great reign. Anthem. (Unpublished, 1897)
For their Queen and Union Jack. (Wellington: Dresden, 1900)
Barcarole. (London: Frederick Harris, 1909)
Triumph, for organ. (Unpublished, 1909)
Nocturne. (Unpublished, 1910)
The tournament. (Unpublished MS at National Library of NZ, 1911)
The Gift. (Unpublished, 1912)
Toy symphony (in collaboration with Maughan Barnett and Horace Hunt). (Unpublished, 1912)
Happy songs for happy children. (Melbourne: Allan, 1922)
Songs of the seasons. (Melbourne: Allan, 1922)
Our nation and name. In: Rotary Song Book (?, 1924)
St Mark’s School song. (Wellington: 1925)
The King shall rejoice. Anthem. (Unpublished, 1935)
Romance in d flat (Unpublished, 1935)
Webbe, William Henry
Music teacher, music retailer, pianist, composer, writer
Born: 1856, London
Died: 1921, Auckland
Active in New Zealand: 1883-1921
Webbe’s first retail experience in Auckland was running the music section of the importer of sewing machines, bicycles and pianos, W. C. Dennes. At the same time he established his teaching studio, teaching piano, organ, theory and singing, with the first of his annual student’s concerts being held in 1885. During this time a number of his compositions, primarily for the piano or songs were published and widely advertised.
He then became agent and later manager of the Berlin (later London and Berlin) Piano Importing Company, and as an incentive to purchase, copies of his works were given to purchasers of new pianos. In time he ceased to act as a music retailer, concentrating on his teaching activities and running the Auckland School of Music which had a number of teachers associated with it, including Margaret Spooner, Guillaume Paque, and later his daughter Madeleine Wilcox. He entered students into both of the English music examinations systems, with his students having considerable success, and regular student recitals were a feature of the school’s teaching practice. Continuing his interest from his early days in England, Webbe also wrote a number of articles on music for local newspapers including the Evening Telephone, and was President of the Auckland Society of Professional Musicians.
A contemporary description of the School of Music not only mentions the number and variety of pianos available, but the fact that he had a music library consisting of over 6000 scores and music literature. His teaching and recitals made much use of arrangements of larger works for 2 and 3 pianos.
In addition to his compositions, Webbe wrote two works on music teaching. The Pianist’s ABC was published in London and was well received by the contemporary press.
Compositions and other writings:
My love, I love thee best. (Auckland: Webbe, 1885)
Bell Polka. (Auckland: Berlin Piano, 1886)
Old folks at home. (Auckland: Berlin Piano, 1886)
Supplication. (Auckland: Berlin Piano, 1886)
Trust in me . (Auckland: Berlin Piano, 1886)
Madoleine. Song with pianoforte and violin and cello accompaniment. (Auckland: 1886)
Jottings. Part 1 Pianoforte playing . (Auckland: A. Eady, 1893)
Pianist’s ABC Primer. (London: Forsyth, 1900)
Alexander Turnbull Library. Wilcox, Madoleine 1887?-1981? : Papers relating to the Webbe School of Music MS-Papers-9772
‘Mr W. H. Webbe’. Observer, 7 March, 1885, p. 9.
‘An Auckland Music School’. Observer, 3 September, 1898, p. 18.
Webley, William, Thomas Usher and William Usher
Born: 1846 (William); 1876, New Zealand (William Usher); 1878, New Zealand (Thomas Usher)
Died: 1937 (William); 1952 (William Usher); 1943 (Thomas Usher)
Active in New Zealand:
William (Snr) was a tuner and repairer of all types of musical instruments in Wellington in 1880 and by 1882 was operating a music warehouse in the city. In 1883 he moved to Christchurch and set up in business there. His sons William Usher and Thomas Usher were also piano tuners and worked with him in the business which then became Webley & Sons.
Webley & Sons/Webley, Sons & Gofton
Ceased business: 1940
Originally established by piano tuner and seller William Webley in 1883, the business first advertised as Webley & Sons in 1897 and included William (Snr)’s sons, William Usher and Thomas Usher, also piano tuners. In 1902 another piano tuner, John Gofton, was brought into the partnership. In 1914 the partnership took over the Chivers business in Christchurch. Around this time they published two pieces of sheet music – Raymond Hope’s Weeping Willow Waltz and The New Zealand Marsellaise by Rouget d’Isle. A branch of Webley, Sons & Gofton was opened in Greymouth in 1915 and and another in Dunedin in 1920. In 1940 the business was sold to Begg’s.
Webster, Thomas Samuel
Music retailer, music teacher, pinao tuner, composer
Born: 1884, England
Died: 1956, Hamilton
Active in New Zealand: 1909 – 1956
The owner of music stores in Hamilton, Stevens and Webster from 1915 and Webster’s Music Store from 1916, Webster was also a composer and two of his marches achieved some popularity with military bands. He was also organist in Morpeth, England before his migration and continued with appointments at Huntly Methodist Church, the Hamilton Weslyan Church and St Paul’s Methodist church. He led various choirs including the Hamilton Choral Society.
An arrangement of the March Waikato has been made by John Wells.
March Waikato, arranged for organ. John Wells. From the land of the long white cloud. 1991
Weniger, Adolphe Jean
Died: 1940, Wellington
Active in New Zealand: 1886 – 1940
Weniger operated his fur shop in Wellington but also produced a number of short pieces, mostly for the piano. Some were also performed by local orchestras, such as the King’s Theatre Orchestra, Wellington and at the Fuller’s Pictures.
Doux Amour gavotte. (London: Reeder & Walch, 1897)
Petit oiseau. (Whanganui: O’Hara, 1911)
Belle etoile. (1912)
Bouton d’innocence (Wellington: Begg’s, 1912)
Coeur d’amour. (1912)
Fleur et jeunesse. (1912?)
Petite perle. (1912)
Les tambourin: suite de valse. (Auckland: A. Eady, 1912)
West, George Richard
Conductor, music teacher, composer, music retailer
Born: 1839, England
Died: 1891, New Zealand
Active in New Zealand: c1860-1891
George West was born in England and educated as a chorister. After arrival in New Zealand he became an important figure in Dunedin’s musical circles. He was conductor of the St Pauls’ choir, arranged musical programmes for Masonic ceremonies and in 1863 formed the Dunedin Philharmonic Society. This amalgamated with the Dunedin Choral Society a year later and he then conducted the joint choir. In 1865 he was heavily involved in the musical programme for the the New Zealand Exhibition held in Dunedin in 1865.
In 1861 he established Dunedin’s first music retail business and over the next twenty-five years published at least 12 local compositions, including one of his own. He also published three issues of the New Zealand Musical Magazine. His daughter Jeannie Macandrew trained overseas and became a well known musician on her return to New Zealand.
Nichol, E. Dedicated to the colonial music-loving public, pp 188-189
West, William Hautrie
Organist, choirmaster, conductor, teacher, music retailer, composer
Born: 1844, England
Died: 1925, Australia
Active in New Zealand: 1873-1890
The brother of George West, Hautrie West was organist and choirmaster of the Royal Military College at Sandhurst before arriving in Invercargill in 1873 to take up the position of organist at St John’s Church. As well as undertaking this role he also taught organ, piano, harmonium, violin and singing, conducted the Philharmonic Society, the Invercargill Orchestral Society, and the Wesleyan Church choir and was master of the Invercargill Volunteer Brass Band. In 1874 he opened a Pianoforte, Harmonium and Music Warehouse on the corner of Esk and Kelvin Streets where he sold a range of instruments and music. In 1878 his premises were moved to Dee Street. In 1881 he sold his stock and moved to Wellington where he was organist of St Peter’s Church and taught music. In 1890 he left New Zealand for Ballarat.
“May” Polka No 4 Little Dances for Little Players (Wellington: Bock & Cousins, 1890)
White, Emilia Arrietta Albertini (nee Arnati), later Ancell
Singing and music teacher, singer
Born: 1832, England
Died: 1915, Wellington
Active in New Zealand: 1863-1915
Arriving in Dunedin from the Victorian goldfields, Mrs T. White set up as a teacher of singing, piano and guitar. Wife of the piano teacher, tuner and repairer Thomas White, she contributed significantly to the family income. She was appointed music and singing teacher at Otago Girls High School where she taught for approximately 20 years. After White;s death in 1889 she continued teaching until she married Mr Ancell and moved to Wellington. She continued to perform as a singer and also taught, but to a much smaller degree than during her time in Dunedin.
Piano teacher, piano tuner and repairer, pianist, composer
Born: 1830, Manchester
Died: 1889, Dunedin
Active in New Zealand: 1863 – 1889
With his wife Emilia, Thomas White had moved from England to the Australian goldfields. They then moved to Dunedin and he also travelled around the area, offering his services as a pinao tuner and repairer. He taught music, performed in a number of concerts, including at the New Zealand Exhibition in Dunedin in 1865, where he played the piano which was part of George West’s display.
Fern Hill polka. (Dunedin: George West, 1866?)
Welcome. (Dunedin: George West, 1869)
Godfrey, L. “White, Thomas.” The Northern Cemetery: Dunedin’s buried history. Website. http://www.northerncemetery.org.nz/burial/5448/bio
Whitehorne, Allen Anderson
Civil engineer, composer
Born: 1842, Scotland
Died: 193-?, Paraguay?
Active in New Zealand: 1878-1888
Allen Whitehorne had a life filled with change. He was born in Scotland, spent his childhood in Jamaica. was educated in England. He trained as a civil engineer and worked for a short time in British Guiana before returning to England. He migrated to New Zealand in 1878 where he established his business. Music clearly was an abiding personal interest, and he successfully entered the Auckland Society of Arts music competitions held in 1884-1886, winning first prize medals in 1885 and 1886.
For seemingly personal reasons he moved to Sydney and shortly after to Queensland. His wife, from whom he had separated, was killed in 1889. Whitehorne then joined the Nova Australia movement and sailed for Paraguay in 1893 where he appears to have remained. His Auckland Society of Arts 1886 medal was returned to Auckland in 1938.
Come, Stella, come. In: New Zealand Farmer, Bee and Poultry Journal, May 1885
The Prize waltz. (Auckland: Brett, 1885)
Hurry Scurry Polka. (Auckland: Star, 1886)
Hurry Scurry Polka. In: Music Magazine Christmas Supplement 1886.
The splendour falls on castle walls. Unpublished, 1886
Music teacher, composer
Born: 1861, Ireland
Died: 1915, Lost at sea
Active in New Zealand: 1892 – 1895
Thomas Whitwell-Butler was an Irish organist and music teacher who visited New Zealand for a period of approximately three years. This time was mostly spent in Dunedin where he had family, but he also spent some time living and working in Greymouth. As well as teaching he both sang in and conducted choirs. After his return to Ireland his Irish-language opera Muirgheis was produced in Dublin. He died in the sinking of the Lusitania in 1915.
See also the story on our “Features” page for 14 October, 2019.
New Zealand published compositions:
Fate’s decree. (Dunedin: Wilkie, 1892?)
Benediction, for St Joseph’s Cathedral. (Dunedin: St Joseph’s, 1893?)
Harrington, E. Lost at Sea: Thomas O’Brien Butler and RMS Lusitania (http://blogs.ucc.ie/wordpress/theriverside/2015/05/20/lost-at-sea-thomas-butler-obrien-and-rms-lusitania/)
Cabinet maker, violin maker
Born: 1854, Shetland Islands, Scotland
Died: 1942, Wellington
Active in New Zealand: 1874-1942
James Williamson lived in Hawkes Bay and Fielding before moving to Wellington and working for some time with the Post and Telegraph Department. His skill as a craftsman woodworker was recognised and he produced a number of ceremonial pieces for the government. His violin-making became his main activity after his retirement and his instruments, many of which used native timbers, were recognised internationally for their quality.
Alexander Turnbull Library. Archive of New Zealand Music. Williamson, James, 1854-1942: Papers. MS-Group-0637
Willeby Hawthorne, Charles
Music critic and writer, composer, accompanist, music teacher
Born: 1865, England
Died: 1955, England
Active in New Zealand:
It is arguable whether Charles Willeby, or Willeby Hawthorne, belongs in a resource dedicated to New Zealand music. However, although English-born and living most of his adult life in England, Charles Willeby had a New Zealand connection and started his musical career while a young man in New Zealand.
He arrived in New Zealand with his mother and step-father (Stuart Hawthorne) in 1871. Tragic family circumstances lead to a return to England and then back to New Zealand where he took up a position with the New Zealand government service in Wellington. His passion however was music and he performed at a number of concerts. After a few years and just after his marriage to the singer Mary Hume in 1889, he traveled back to England where he dropped his late step-father’s name and established a career as a writer on musical subjects as well as composing songs. He also published and composed under the name Cuthbert Wynne.
Compositions and books (selected)
Daphne. (Wellington: Lyon & Blair, 1886)
The golden fleece. (Dunedin: Begg’s 1886)
So long ago. (London: Enoch, 1889)
At Even. (London: Lucas, Weber, 1890)
My other self. (London: Lucas, Weber, 1890)
Longing for thee. (London: Lucas, Weber, 1891)
Saionara. (Unpublished, 1892)
Masters of English music. (London: Osgood, 1893)
Night fairies. (London: Elkin, 1902)
Album of favourite songs. (London: John Church, 1904)
Mandalay: song. (Cincinatti: John Church, 1911)
Music teacher, housekeeper
Born: 1836?, England
Died: 1903, Wolverhampton, England
Active in New Zealand: 1865-1897?
Ellen Willson also used the pseudonym “Estelle”. She was a music teacher of Cambridge, and housekeeper to Dr Waddington. She composed a number of songs, a Dead March after the death of Queen Victoria, and a hymn which won an English competition. She also wrote a satirical literary work Chronicles of Cambridge.
Fidelite. (Auckland: Eady, 1893)
Only a tiny glove. (Auckland: Auckland Music Warehouse, 1879)
I thought I head the organ pealing. (Auckland: Wilson and Horton, 1894)
Wilson, Annette Eliza
Music teacher, pianist, composer
Born: 1835, England
Died: 1902, England
Active in New Zealand: 1870s – 1890s
Annette Wilson was in her forties when she emigrated to New Zealand, residing first in Wellington and then for a period of almost twenty years in Dunedin. A cousin, Florian Charles Elliston, had also emigrated and worked at the Customs Department in Wellington.
Wilson’s family was heavily involved in music and the performing arts. Her father, Marmaduke Charles Wilson, was a “Professor of Music” in Westminster, London and her maternal grandparents were Robert Elliston, an actor playwright, singer, and theatrical manager and his wife, who wrote the music for some of his productions. Wilson had been a pupil of Sir Charles Halle and Sir John Goss, and was also an Associate of the Royal Philharmonic Society.
Already a published composer at the time she emigrated, she composed and had published a number of works while earning her livelihood as a piano teacher and performer. When she first arrived she settled in Wellington and acted as accompanist for the Choral Society, but soon moved to Dunedin.
Wilson’s earliest known composition was the March of Triumph published in 1856 but most of her compositions dated from the mid 1870s. She wrote piano works in the popular forms of waltzes, gavottes, mazurkas and marches, songs, choral works and some unpublished instrumental ensembles. Many of her New Zealand works were performed at concerts in Dunedin and in 1895 a concert was presented made up entirely of her works. In addition to her musical compositions she wrote a small (32 pages) book on musical ‘grammar’, drawing on her considerable experience as a piano teacher. In 1892 she also wrote a paper for the Otago Institute entitled Analogy between light and sound : are they convertible? which indicates she may have experienced musical synaesthesia. Wilson travelled back to England on several occasions while living in New Zealand. In 1897 she sold her grand piano (but not her property), indicating that she was planning a longer visit. Her connection with New Zealand remained strong and her song March On made specific reference to New Zealand soldiers in the Boer War.
She died in England in 1902 without returning to New Zealand.
March of triumph. (London: 1856)
Crocus. (London: 1865)
Reverie for the piano. (London: Lambourn, Cocks, 1874)
I watched the sun rise o’er the sea. (London: Lambourn Cocks, 1876)
Tarantella. (London: Ashdown and Parry, 1877)
O tarry thou the Lord’s leisure. (London: London Music Publishing/Beggs, 1878)
Gavotte and Musette (after Bach) for the piano. (London: 1879)
Village mazurka. (Wellington: Bonnington, 1879)
Bouree. (Dunedin: Kelsey, 1882)
New Zealand jubilee waltz. (Dunedin: Beggs, 1887)
Hinemoa waltzes. (Dunedin: Beggs, 1888)
Apnur Ghur. (Dunedin: Beggs, 1888)
White wings waltz. (Dunedin: Beggs, 1888)
Genevieve Gavotte. (London and Melbourne: Swan, and Glen, 1893) – published under the pseudonym Kia Ora
Midsummer Eve Mazurka. (London: Chappell, 1895)
March on. (London: Weekes, 1902)
“Analogy between light and music – paper to the Otago Institute.” In: Transactions of the Royal Society of NZ, Vol. 25, 1892, p.510-514
First stepping stones in the grammar of music. (Dunedin: Otago Daily Times, 1895)
Nichol, E. Dedicated to the colonial music public, pp. 84-88. https://researchspace.auckland.ac.nz/handle/2292/35499
Conductor, music teacher, composer
Born: 1859, London
Died: 1922, Dunedin
Active in New Zealand: 1880 – 1920
Sidney Wolf had an unsettled childhood but eventualy attended the Royal Academy of Music for some tuition. He then began to work as a chorus master and occasional conductor before working his passage to Wellington 1880. After a short time he toured with Cary’s Opera Company, settling in Ashburton and then Timaru, where he conducted the Timaru Choral Society, Timaru Liedertafel, the Garrison and Naval bands. He was also choirmaster at Sacred Heart Church and St Mary’s Anglican Church as well as teaching musical privately and at schools. Over time he also built a reputation as a judge at music competitions. He later moved to Dunedin where he developed his teaching as a singing teacher and choral conductor, leading the Dunedin Choral Society and the Dunedin Operatic Society.
Compositions and writings
Thine. (Unpublished, 1880)
The children’s lament. (Dunedin: Triad, 1896)
Wolf’s music time blocks instruction book. (Dunedin: 1910)
Birchell, J. Extracting Mr Wolf’s new Choral Society from its mythological future. City Choir Dunedin website. (Photo source)
Murray, D. Sidney Wolf, 1859-1922. Cemeteries database.
Woods, John Joseph
Local government official, composer, violinist, choirmaster
Born: 1849, Tasmania, Australia
Died: 1934, Lawrence, Otago
Woods is most remembered for being the composer of New Zealand’s national anthem. He entered the 1875 competition to set the words of Thomas Bracken’s poem “God Defend New Zealand” and won the prize. He was recorded as being proficient on twelve instruments and active in the musical life of Lawrence as well as many other activities such as tree planting. His wife was also musical, being organist at St Patrick’s for 30 years, and his daughter Mary studied piano in London before becoming a music teacher in Dunedin.
God defend New Zealand. (London: Hopwood and Crew, 1878)
God defend New Zealand. (Lawrence: George Jeffrey, 1884)
March of the Highland Brigade. (Dunedin: Saturday Advertiser, 1885)
Cyclopedia of New Zealand : Otago and Southland Provincial District, p. 683 (photo source)
Southern people. (Dunedin: Longacre Press, 1998).
Wright, Ethel Gertrude Elizabeth
Born: 1881, Auckland?
Ethel Wright was educated in Auckland where she learnt the piano from Miss Jessie Adams and passed various Trinity College music exams. She published her first piano work at the age of 21 and continued to write and have published a number of songs even after her marriage to Dr Frederick Reid-Mackay and move to Dannevirke. She was involved with the Dannevirke Operatic Society and contributed to a number of Dannevirke recitals.
Unusually, many of her compositions were published in Australia, although they were distributed in New Zealand as well. After the early death of her husband she appears to have published no further works.
Impish revels. (Melbourne: Glen, 1902)
Mine only mine. (Auckland: Eady, 1902)
By the old style. (Auckland: Eady, 1904)
The city glorious. (Melbourne: Allan, 1906)
Lilacs. (Melbourne: Allan, 1907)
Two songs (Farewell and A Legend). (Sydney: Nicholson, 1912)
When all is still. (Sydney: Nicholson, 1913)
You never could forget. (Sydney: Nicholson, 1914)
Valse Beth. (Sydney: Nicholson, 1917)
E. Nichol. “Transplanting traditions”. In: Searches for tradition (Wellington: Victoria University, 2017)
Zettwitz, William Frederick
Violin maker, music retailer
Born: 1868, Hamburg, Germany
Died: 1955, Auckland
Active in New Zealand: 1907-1924
Zettwitz learned his trade in Liverpool where he also produced banjos and other stringed instruments. He migrated with his family in 1907 and estalished a violin shop in Auckland, selling instruments and accessories but focussing on violin making. He returned to England in the mid-1920s but returned to New Zealand in the 1950s. His son, Frederick, re-established the family firm which widened its scope to include guitar making and restoration. Zettwitz’s violins still occasionally appear in auction houses.
Interview with luthier Mr Zettwitz (Frederick) – Larry Killip. 1951. Podcast